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sending it off for print and feedback

Now that ive sent the finished editorial away, its time to have one final checklist before the hand in.

-What is Graphic design....done
-Personal Identity logo....done
-The rebrand project....done
-The Interview....done
-Editorial....done
-Print....near done
-Blogs .....near done

Where to get your work published/printed is always the biggest decision, you dont want just anywhere, but you dont want somewhere that says they are good and then they dont allow for the bleed lines, or the work comes out too dark or on bad quality paper. These are the little things that can destroy a project.
presentation is everything, and if its not presented to the standard that you made it in, then whats the point. Infact presentation good not just lower the work bu also sometimes boost it up, making it seem like theres more to it tan there is. I clearly have not developed the skill of decent presentation yet, but im aware of it. and so should all of you.
After all what was all those painstaking hours of work for if you are just going to throw it on loose pages in a polly pocket. The project is never finished, until youve handed it in and received feedback, regardless of how finished you think you are.
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WHAT IS GRAPHIC DESIGN ?

Graphic design to put it simply is taking the ordinary and making it appealing, through a range of methods, including but not limited to the creative use of type, colour, images, spacing and problem solving.
Graphic designers portray a message visually, be it in an advertisement, poster, magazine, or text book, graphics is used in everything.
Since graphics is the art of visual communication, the designer has to know what the message is before they can portray it, this is so they can create something appealing and unique, yet suitable, simple, not over bearing and easy to understand, this is where readability and legibility become apparent.
The main job of a graphic designers is not just to create something appealing or even sell able, its to transfer knowledge in the simplest fastest way possible.
A good example of transferred knowledge appropriately would be road signs, they are everywhere and we all recognize them because they are all so similar, though the use of colours they allow us to register different levels of importance and even fear, danger and warnings are most commonly block colours of red, white and black. Where as less dominant colours, are helpful and there to assist but nnt important on an everyday commute, like directional signs would normally be square and green, not intimidating and not grabbing your attention, but they are still there when needed. Graphic designers must know levels of appropriateness, a oiled up model would be used as attention grabbing visuals in an advertisement for say alcohol, not an advertisement for a toddlers cartoon, so appropriateness and knowing the consumer and client are all crucial elements when creating anything.
Knowing who and what to advertise is only part of graphic design, i think object placement is a major factor that is sometimes heavily over looked, yes through the use of type, colour and styles you can visually communicate your intended message, but how much, how little and where everything goes is important. This is where readability and legibility come in, for example if there i too much a client will just look away, not bothering to read everything, and if there is too little, perhaps its so uneye catching the client may never see it, and if they do, they wont have that same physiological effect that makes them want to know more or be interested enough in it to retain the message, a way to help retain a message on a company or specific object would be to brand it, using unique type, logos and more, so that like the road signs, when the clients sees that brand reoccurring they are more familiar with it and would buy or read it sooner than a weaker branded item.
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Done, finished result






























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sketches and planning editorial

Project planning has officially become ore apparent in my work than it ever was before. as you can see form whatever rough sketches ive included, i started planning my editorial (book) by listing everything i wanted to include, and in roughly what order, though im sure i will make small tweaks during the actual design process.

the layout of each page is important, i need to keep in mind it must be simple, legible, but still include everything relevant that ive done to this point.




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Photos and such, made into fillers for the editorial






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the interview!

Not every single detail of the interview, as it was all recorded and only hand written notes were taken. 

-Who are you, tell us a bit about yourself
My name is Hannah Christine, better known as Bean. Im in my early twenties and i live in Derry city, however im original from the republic of Ireland.
I am a classroom assistant at a local primary school, teaching KS1 pupils, i love my job, i go to work with a smile on my face everyday. I have a wide range of interests, like travelling, music, preforming arts, i also have unique hobbies, such as knitting (normally an older woman hobby) rugby (a very northern sport and not normally for girls) and as you know, life modelling. -smiles bright

-Describe yourself in five words

Oh gosh you have actually put me on the spot this early. eeehm, I would have to say im pudgy, happy, confident and shy... how many is that.... ok one more. um caring perhaps? -laughs


-Explain^
Well i suppose a person can be many things, especially not just five, and many of those things can contradict the other. I am confident in my abilities, im confident i love my fiancee, im confident my pupils are all lovely little children and i suppose im confident in my body, knowing who i am. and because of all this, i am also shy. im surprisingly a naturally shy person. I believe the loudest most confident looking people can sometimes be the most insecure and shy in certain situations.


-How did you get into life modelling (additional run on questions from that)
I actually have had very little experience in life modelling before i moved to Derry. I understood what i life model was, but that was through artist friends, but it had never dawned on me that i would ever be interested in life modelling. When i moved to Derry i met so many new people, including my friend who shall remain unnamed, who ran art classes in Belfast crescent centre, mainly abstract painting and other small courses for lets say more mature students. She was branching out to Derry, her home town, and was stuck for models for a promotional piece. I volunteered my services, the first project was after all just a clothes life modelling piece. To be brutally honest the clothed experience was worse than the nude, in nu everyone adores you, and doesnt question anything, clothed they all seem to think they have the right to boss you every which way.
So long story short i ended up enjoying this new world of modelling, it was quiet relaxing, so i looked into it and landed myself a few odd jobs now and then modelling in and around Derry, if theres one thing i can say about Derry that i havent noticed anywhere else, its that it certainly isnt short of eager artists, its a hub of art and culture.

-What was your first experience in life modelling
Nude life modelling? my first real experience was several months after id started modelling in Derry. One of the gallery owners id worked with modelling before asked me if i had ever done nude, i may have fibbed slightly, thinking this would be amazing, so i said yes but very little, he enjoyed my modelling i couldnt see how nude would be vastly different.
Surprisingly It was a very calm transition that only really hit home after the whole experience was over, and then i panicked for no reason. thinking oh god what was i thinking ?! did i actually just do that -laughs.
No seriously, my fist life modelling experience was blissful. It was near the craft village, which i was relatively new to at the time, we are going back a couple of years mind you. It was in a gallery, and some established artists were life drawing, i cant remember if it was for charity or they were just fine tuning their skills and showing off infront of one another, either way it was a strange experience that so many established local artists were in the same venue on the same night, acting like mere students.

-How did you feel. did it end good/bad/boring
Well i showed up before all the artists, got undressed, i dont know where id left my thoughts that day but i was a robot on a mission, detached from everything, oh and there was free tea and biscuits, that might have been where my thoughts were.
I of course did all the panicking later and couldnt believe what id done, but once it was over i was all for doing it all over again. Which i must admit is rare, i think it takes a certain type of person to model, alot of people assume, aw if you are brave enough its handy old money, but no. Ive seen so many models leave crying and refusing to speak to anyone, Its definitely not a job for the strong f mind, i think if you over think it, or find it in anyway intimidating, you are going to be that person crying, whether you think it or not.
Ok anyway, where were we? the first nude experience went off without a hitch, more boring than anything else, i was basically an outsider dandering about nude, and at times a sheet, eating all the artists biscuits while they went off on rants on who was a better artist and discussed things clearly over my head.

-Why have you continued
I love it! I know its an odd hobby some people swim, some meditate, some do yoga, all showing off the same if not more of their bodies. I life model.
I find it relaxing, i love that calming hour or two session that i get, just relaxing and thinking about life, and now and then remembering a beloved book in my head or thinking where i left my shoes for dinner tomorrow night, its the only time in my hectic days i can stop. think. rethink. and be happy with doing nothing, because im doing something, im allowing artists to grow, its a real give and take moment.

-What does your family/friends say. do they know
Why is that such a common question, of course my family know, perhaps not all my friends, but im sure most of them dont know i knit or like listening to Disney songs whilst i clean the flat. Its not something i feel the need to bring up in ever conversation but yes most people i am in contact with alot know about my hobby.
My family dont understand it, but they also dont understanding knitting, however each to their own my da always said, so it doesn't phase them too much. Friends on the other hand i notice are always curious and a bit like this interview, want to know more but dont know where to start. I love life modelling and i think everyone treats it the way they would a sport hobby, interesting but nothing to do with their conversations.

-Does it ever effect relationships
I wouldnt say it effects relationships, not anymore than say my love of cookies or his love of xbox would, its just another thing i like thats thrown in that big equation of a relationship. Now i have spoken to life modelling firneds, and i do understand it can sometimes be an issue, perhaps the other half or family and all arent actually comfortable or they dont understand and basiclly see it as a shameful act. Thankfully my family are too preoccupied to think like that and my lovely Paul (fiancee) is completely supportive of anything that brings naked paintings of me on the walls of the flat, i mean, supportive of anything i love. -laughs uncontrollably

-So theres photos/paintings of you around the flat
Well its something im proud off, and if an artist gives me the gift of a painting or sketch of myself, especially if im close with that artist and i believe im beautiful in this piece of art, of course id hang it up in the flat, just like id hang up a photo of our first Christmas or last years holiday or in fact a photo from Paul preforming on stage.

-Does work know/does it effect your day job
Again its not something i bring up on a day to day basis and i dont think the children would be on a need to know stage. Its not that im ashamed of my work, its just they are still very small, and certain topics are undertandably delicate. Im hardly going to explain the amazing joys of being naked in front of a room full of strangers, a childs interpretations of that could be very dangerous.
Several of my colleagues know of my life modelling work, but since it doesnt interfere with work, its not a topic commonly discussed unless theres been a major development.
I have however had some trouble in the past, in a previous job, over snide comments about my work from a small group of colleagues who were in my opinion very close minded.

-Why do it? what do you get out of it
Well i see it as down time like most hobbies, and its nice to know in this economy i have a fall back, me and Paul are saving for our wedding, and living in the city isnt cheap but come on, its where our work is, and unfortunately i do miss family as i dont get to visit as often as id like, but modelling gives me that extra few hours of relaxation where i can think of all these things, plan the wedding, plan my day or even week, lan a visit home, remember to feed the dog and maybe call my mammy.
I obviously get paid, so thats a bonus, but i would never ever suggest someone looking quick cash to go into life modelling, its not for cash, you need to get something else ou of it, be it confidence or peace of mind, or even just knowing youve helped artists become better and someday theyll become great or create something lasting. i cant draw personally but ive always been a lover of art, which means i am willing to help the art community in any which way i can. So i will continue doing this as long as it makes me happy and both parties get what the want out of the experience.

-Have you ever had a bad experience/someone said something to you
I have indeed on both accounts. I have had many boring or unfortunate sessions, but that could be down to a number of factors, immaturity amoungst the class, someones says somethig they dont find offensive as you ar enothing more than a bowl of fruit to them but it still hurts and you think of what they said all week. Bad days at work always happen, life modelling is no different, the point is to never quit, just because you felt isolated one day or fat the next, doesnt mean the next session wont be the most amazing ever, you cant just focus on the crap parts. Otherwise, wheres the fun?
I have however had trouble in the past with one group of people in particular that thought my hobby shameful and were very vocal about it, these are also the type of people who believe kfc every night is balanced diet for their children and its not cheating as long as you dont mean it. I consider myself an open minded person and understand everyone thinks differently but i also think self respect and common courtesy is essential in a happy life.

-How long will you continue life modelling
As long as i can withstand the immense hours, life modelling is not all relaxation, you have to be on your toes, if its a quick sessions, ie 30 second sketches ranging to 5 minutes sketches, you always have to be ready for the next pose, and it better be good, these are the cases you can go with a few wilder poses, but its the long drawn out poses that could last hours, they take endurance and sometimes hurt alot, joints and mind, you could go home after a long session aching all over as if youve just run for a day and a half without a break. I can imagine i will not be doing such modelling in my old age, but i cant see me ever giving it up. its too much apart of me.

-Will your children know you life model/life modeled
I cant see why not. for starters they would need to be very unobservant children, not noticing paintings of naked mammy on the walls, next to the paintings of a sunset of steam of flowers in the rain. Im an art lover, so of course there is art lying all about me, and i cant see that changing way way wayyyy in the future when children start appearing, i can see the art work being kept a little higher off the ground away from sticky fingers, but i cant see them being hidden away. children arent silly, i dont like this whole concept mommy and daddy arent people, they dont use the bathroom, they dont have naked parts, or mommy and daddy are just robots that look after you, i will kiss my husband in front of my children, maybe not inappropriately but i dont like the stiffness that some people have adapted into the family life, children cant be raise to not show emotion or not know that theres different ways of living, if my children want to become a life model i will accept it the same way i would if they said theyd like to be a ballerina or hockey player. whatever makes you happy you should go for it.

-What would suggest to anyone thinking of getting into life modelling
I would suggest to come and talk to me or someone else who does or has life modeled, and to only do it for the right reasons, money is never the right reason. There are far handier ways of earning cash. Life modelling is an art of its own, not only must you endure the pose for hours and never move, but you must also take control and think of new interesting ways to pose, a way that suits your endurance level and body.
It doesnt matter if you are male, female, fat thin, ugly or supermodel pretty, life modelling is surprisingly the only job i can think of where your looks genuinely dont matter. everyones welcome.
Many start life modelling and never return, others, like myself, though there are few of us, we cling onto life modelling till a ripe old age.
Its not for everyone but if it is for you, come, join us, dont be shy, make the art world a better place and as long as it makes you happy, keeping going.

it was a pleasure talking to you, and its amazing to know theres a person behind the model, as a design student, i really did just see a bowl of fruit, but the skill required to get this far, its an eye opener. 

well its always fun to see others take on a subject you think you know so much about. it was lovely doing this interview and i hope it opens a few more minds.

im sure it will


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research and interview questions

LIFE MODELLING...

When researching life modelling i found its used for many purposes, mainly the human form for art students, sculpting, drawing, painting etc are all mediums used to capture the life model.


Definition:   the act of drawing the human figure from a living model
Example:   Life drawing is considered an essential component of an artist's education.


below are some helpful links that gave me an insight into life modelling and how one woul dget into it from a amateur perspective

http://www.modelreg.co.uk/st_AdviceForModels.php -how to get into life modelling and the FAQ of what it involves

http://www.clarebroome.co.uk/ - local female life model and her perspective

http://www.experienceproject.com/stories/Am-A-Life-Drawing-Model/2783993 -local male life model and his perspective

In my opinion, especially considering ive been on the student end of life modelling, i think though we arent judging the life model, they are there as a resource, soon they turn into nothing more than a piece of furniture, but i believe, especially at the star, it must take a seriously brave person to life model. Not just the fact they are bare in front of a room full of people, focused on them, but also because you have to stand there like that for a good deal of time, i am far too fidgety to ever do something like that. It must take alot of patience and nerve.

Once id researched as much as i needed and had a fair idea who a life model is and what the job involves, i brainstormed things i wanted to know or ask (shown below) and then created a decent list of questions i hope to ask all of them in the interview.


THE INTERVIEW MOCK QUESTIONS.
-Who are you, tell us a bit about yourself
-Describe yourself in five words
-Explain^
-How did you get into life modelling (additional run on questions from that)
-What was your first experience in life modelling
-How did you feel. did it end good/bad/boring
-Why have you continued
-What does your family/friends say. do they know
-Does it ever effect relationships
-Does work know/does it effect your day job
-Why do it? what do you get out of it
-Have you ever had a bad experience/someone said something to you
-How long will you continue life modelling
-Will your children know you life model/life modeled
-What would suggest to anyone thinking of getting into life modelling

start and end with pleasantries, but thats the general idea of the layout of the interview plan.
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The final decision

So after a good deal of thinking, i actually ended up choosing the one i least liked, mainly because i figured it would be the most interesting, the others i know alot about. me, my life, society, judgement etc, but i know relatively nothing about life modelling from the models side so it was more my curiosity that lead me to this decision.
I will focus mainly on classroom assistant, Hannah, from Derry, originally Galway, as she is eager to share her thoughts on life modelling and elaborate, what most others dont feel they can.
My first step will be research life modelling and compile a range of questions to ask her in the interviews. Project planning is becoming more necessary in my work, so i will have a fair idea how i intend the final result to look before i have the interview.

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narrowing ideas and what i chose

Although the task is a two page spread, i want to take it further, as i dont believe ive done he best so far in this module, clearly a very weak subject for me. So i want to take this opportunity to really pull the final book together. I will do this by choosing a risky or different topic than most, hopefully giving it a wide range f possibilities for the editorial but also to be interesting, i could just do an interview with someone relatively boring, but i want to jump into topics that are perhaps not in most of the other student books.
So after all my brainstorming, i narrowed it down to the three i thought would be the most interesting to create.

IDEA 1: The first idea is rather simple, however it has such a range of ups and downs. It would also be the longest. like many person of interest stories it would start with a few pages on a back story, from birth to now and what interesting things happened in between. then a double page on the interview with a series of prepared questions and a section of answers. The person of interest is the closest person to me, and is always available for the interview and photos. ME. who better to interview than myself, this way i know all the backstory to include. I have a few points i want covered through out it, like family, education, health, where ive been and where im going. This would be the longest of the ideas as ive 22 years to cover, whereas with the others its just one fifteen minute interview. I dont know if thats a good or bad thing yet.

moi

IDEA 2: This idea wasnt one of the bigger ideas when brainstorming, it was actually a complete after thought as i had a few life drawing classes that week. Animation and i suppose most topics in design require life drawing, although we dont study it as a topic in my course, several of us get together and have a few hours of life drawing sessions every now and then, or we simply join an existing life drawing class outside the university, this is because we know where we want to go and that it requires life drawing skills to get there. game design, animation, fine art, its amazing how many people need or want life drawing.
So i was at the life drawing class, and i thought, how does someone get into life drawing. i have been asked by a friends company to join them, as im not too big to fit through a door but not thin enough to run around in skimpy clothes, i also give off the impression of confidence, i dont know. I turned it down as it didnt seem right for me at the time. but its come to my attention others mustve actively sought out a life of modelling, life modelling for that matter and i thought, thatd be an interesting interview, the hows and whys of life modelling.

hannah the bean head christine, classroom assistant by day, life model by night


IDEA 3: The final narrowed down idea is actually a series of interviews, not with one person, but many. mainly students, from all different genres and walks of life, to get their views on how society sees them and how that makes them act or feel in reaction to it. The subjects of interest would be more to the outcast side of society to make it more interesting, but also to show a second side to the story, showing a major contrast in looks, views and then the true loving person behind it all. you wouldn't imagine that pierced up heavy metal head would be volunteering at the geriatrics centre any free time he has, or you wouldn't imagine that crazy coloured girl in the fishnets and short skirt would have the highest test scores in the district or be in the running for many academic achievements and actually has motivation and wants to go on in life to then help others learn more. My point would be not to judge a book by its cover, however society has already judged us and put us all back on the shelf, im sure nobody would imagine a well respected looking business man likes to play war hammer on his weekends off, or that that suzie homemaker looking mother actually followed a band on tour for an entire year, im unsure yet just how many interviews i would gather and how far this editorial will go, but i want it to be a story and not just a to page spread.

Portrait: Me and Austin awhh
dee craig and cookie, comedians, junk food lovers and alternative royalty -belfast
big steve mccool, metal head and lone father of baby shell-glengormely
Mike and Anna, mutual wanderers with no actual style/group/sexuality/place -Derry

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initail ideas on interview

The module is now coming to an end, ive gained alot of branding experience, but now its editorial time, which means get everything in a book.... but first, a two page spread interview of my choice.... yes slightly off topic, but thats the third and final installment to my Graphics for print editorial.

Now since its my choice, ive started to brainstorm, ALOT of ideas i absolutely would love to both interview but also design an interesting layout for.
Below is one of my handwritten brainstorms, just so you can get a general idea of where i was going from the start....

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experimenting with the final logo


Knowing that the final logo could suit any background was essential! especially considering it could be on a range of different coloured posters, billboards, even merchandise. it wont always be simple black and white, so i experimented in a range of colours to make sure it was suitable.

Badges and tshirts are the biggest seller especially for underground music bands, they are quick, they are cheap and they give event gooers and true fans a small souvenir as a memory of the night

Like most big major bands etc id imagine horseface has or will have some extremely dedicated followers, and what do dedicated followers do? especially the ones with a love for ink. they get something a bit more meaningful than a badge to remember them by.

considering this is a music promotions agency, the majority or the time the logo will be on a poster. I used an old masons poster as an example, but it shows how it still suits.... if it was all printed at the same time

HORSEFACE is getting rather big, and they already have advertisments in things such as the ulster tattler and large scale posters, i cant see why they wont soon be on billboards. above is just a mock up.


Being a legitimate business they of course will be using the logo on not just business cards to promote themselves and give out contact details, but also on letters. all hard copy correspondence normally have a name, who they are, the logo if there is one and an email contact, its a very rough mock up, but above is what id image HORSEFACE will do with the logo ive designed for them.

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